Much before the term “Renaissance Man” came into vogue, he was one in what eventually became India. A prolific poet, historian and writer, he also introduced two music forms – ghazal and qawwali – popular to this day, is credited with developing two styles of classical music – khayal and tarana – as well as the tabla and sitar. But his most notable feat was using a local vernacular so adroitly that seven centuries hence it is the most commonly-used language across the South Asian subcontinent.
And Ab’ul Hasan Yamin ud-Din Khusrow (c. 1253-1325) or Amir Khusro, as we usually know him, seemed to epitomise the assimilative nature of India.
The son of a Turkic Hazara noble, forced to leave his homeland near Samarkand by Genghis Khan’s invasion and found shelter at the court of Sultan Iltutmish, and an Indian mother from a Rajput tribe, he was born in…
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