Returning to rust

Rambling through an abstract landscape

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The decision to create a particular painting is a complex process. What am I trying to say; what is the best composition to get the point across without either labouring it, or drifting so far into the realms of the obscure that meaning becomes lost; how big should it be; is paint even the right medium? There are of course many answers to all these questions, and none are necessarily right (or wrong).

My reasons for painting Lost Motion are, I hope, evident in the work. My reasons for choosing the style, colour palette and subject are less complex. I delight in rust, in depicting it, and in all that it implies. Rust speaks of impermanence, of decay, of the inevitable return of matter to element, of a recognition that our works are but a tiny scratch upon the surface of one of an infinite number of planets in an…

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