Protest, politics and Indian contemporary art

Deepanjana Pal

It’s always nice to have one’s byline in a publication they read, but in many ways, The Hindu is specially special. It’s stood for a serious, no-nonsense gravitas for generations. So to be in its op-ed pages is a good feeling. As a friend put it, “Ex-governors, professors, statesmen…and you. Vaav.” I feel thoroughly grown-up. For now, at any rate. 

Here’s the unedited version of the article on Indian contemporary art and political protest:

Let’s be honest: aesthetically, Siddhartha Karawal’s “Divine Cow” is not the most noteworthy bovine in the annals of Indian art. It is, however, perhaps the most manhandled one.
Last month, at the Jaipur Art Summit, Karawal’s “Divine Bovine”, consisting of a cow made of Styrofoam and a balloon, made the news. It was floating above the Pink City, minding its own business. Unfortunately, this offended some people. So the cow was hauled away by the local police…

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